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WHC Shortverses
Short Verse Selections 
by Guest Editor, Werner Reichhold:

tanka, cinquain, sijo, rengay and other symbiotic (linked) verse

 

Werner Reichhold has honoured WHC and World Haiku Review by making the WHC Shortverses column selections as a Guest Editor for the August issue. In addition to making selections based on quality and merit, he has provided valuable commentary in praise and positive critique, both toward those poems as well as genres. Werner's work in Japanese verse, especially in linked forms includes books he has written and published. Since 1993, Jane and Werner Reichhold have been co-editors of LYNX, an International Journal for Linking Poets, published on the web since 2000 by AHA Books. An accomplished, innovative artist and poet who continually breaks down barriers between genres, Werner's works have been shown internationally. Since 1960, his works have revolved around the concept of installation.   

His writing attempts follow the same principles as his artwork, blending different genres into text-installations. His books are as his symbiotic poetry: They are multi-layered "rens" -- linked photographs of his installations, drawings, photo-montage, prints and poetry. He has coined the term, "symbiotic poetry" to apply to a variety of linked verse:

"I feel we should be somehow more and more open to the kind of writer, who indeed is influenced by Far East poetry but at the same time out to find a new personal way for a symbiosis of content and form. One reason, as you know, I introduced the term Symbiotic Poetry was to open the gates to all kinds of collaborations, to free the scene from being too much fixed on a single imported form." [wr]

While Werner concentrates on symbiotic verse collaborations rather than solo verse, he has graced us with three of his tanka. He writes:

"Here are several tanka, each composed over the third line, the pivot, and molded into a certain proximity to one another until they generate an enigmatic proportion between the clearly experienced and the unknown. At that point, the poem leaves the reader alone with literally no sign of sentimental compassion for one's own unattended doubts and surmises." [wr]

How much those words also describe his visual works. 

 

Dialing                 the fiber
                             optics
lit by a stranger's question
incongruous the cry-
in the night of the matter



                   polishing leaves
in both of her darkened eyes
                          the glimmer
occurring as if it's not here
before one believes in



                            wings
from a long time absent
silk-feathered attention
cardinal         would you call
closer    the color of coming?


...............
Werner  Reichhold

*(top) photograph of a bird, page 105, Bridge of Voices.  Werner Reichhold. Perfect bound, 8 x 11; 140 pp., AHA Books, 1990. ISBN:0-944676-13-8.

*(middle) installation, page 1, Installation 1975-1985, Werner Reichhold. Perfect bound, 8 x 11, 38 pp., AHA Books (a catalogue collection of installations and drawings of Werner Reichhold).

If you are interested in renku, or linking poetry, you will want to read one of Werner's online Aha! Books, which includes essays and forms for kasen renga:

SYMBIOTIC POETRY, Anthology of International Collaborative Poetry

 

Biography of Werner Reichhold

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