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  WHC R. H. Blyth Award 2002

 

Judge Ion Codrescu (RO)
10 Selections

Three Top Choices

 

In my selection I have tried to avoid the poems which contain "cliche" or "déjà vu" images. I have  tried to find the originality in the art of the composition. No way for sentimentality...No time for cheap display of emotion... I like strong voices in the haiku poetry. I hope you will enjoy my selection. - Ion Codrescu

First Choice:

66

through sleet
screams draw
unseen cranes

Sonia Cristina Coman
Constantza, Romania

This poem exhibits the most important thing of the haiku aesthetics: SIMPLICITY. First of all, there is the image of sleet. At the same time, you hear the screams of the birds, but there is no way to see them...The sounds through the sleet make you imagine the birds...The author uses the sibilance of "s" sounds to suggest screams through words (sleet, screams, unseen and cranes). The shape of the poem is simple: only six words. After the first reading, you enjoy this haiku because each line has the power to "show" and "hide". The poet knows how to use only a few words as a sumi-e painter uses just a very few brush strokes to paint a landscape. A wonderful poem.

Second Choice:

15

changing kimonos
between seasons...
my ordinary life

Pamela A. Babusci
New York, United States

This poem shows us how time passes; how we, in our ordinary lives, must needs enjoy the beauty of the seasons, of nature, of art, of poetry and so on. The author must be a woman who knows to appreciate the beautiful moments of her life... . I like the image of the poem very much. It is like a picture from an old Japanese novel. There is joy in the first two lines and sadness in the last one...There is a mystery of  beauty in the whole poem.

Third Choice:

34

gurgling stream
the stone drying in my hand
dies silently

John Bird
Ocean Shores NSW, Australia

The poet has made a great juxtaposition between the first image -- the gurgling stream, and the second --  a beautiful stone taken from the water of the stream, which is changing colour in front of our eyes and in our palms. Many of us have had this same experience at a stream. The juxtaposition between sound and colour: NATURE astonishes us every moment and gives us joy. We only have to look at NATURE. We have to look until we SEE the marvelous spirit of NATURE.


Fourth Choice:

467

Burning red maple
A crow's caw echoes
From the temple

Etsuko Yanagibori
Sitamaken, Japan

Fifth Choice:

28

In the dark,
a sound I don't know --
the spring moon

Christopher (Kit) Baskind
Florida, United States

Sixth Choice:

458

home again
sculptured by the March winds
unfamiliar dunes

Gene Williamson
New Jersey, United States

Seventh Choice:

107

Pale moonlight.
Weeds withering unnoticed
In my homeland.

Ljubomir Dragovic
Sibenik, Croatia

Eighth Choice:

167

indian summer
the intersecting circles
of hawks

Carolyn Hall
California, United States

Ninth Choice:

229

His chosen path
a small white butterfly
against the wind

Angèle Lux
Québec, Canada

Tenth Choice:

407

moonlit bedroom
the motionless shadow
of my pen

Maria Steyn
Johannesburg, South Africa

 



Next read Judge, James W. Hackett's selections and comments

Read more about the WHF2002 Akita

2002 Speakers

See the WHC Website for Details & Application Form

 



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