WHCHAIKU

Susumu Takiguchi, UK
Editor

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TWADDLINGS
special features of WHChaiku


 

FEATURED POETRY

WHCshowcase:
HYAKU-NIN IKKU
One Hundred Haiku by One Hundred Poets
Selections by Susumu Takiguchi

FROM THE FALLEN PETALS (Shu-i-shu)
Selections by Susumu Takiguchi

VIETNAM RUMINATIONS: PART 2
Vanguard haibun
Robert Wilson

ESSAYS

HAIKU, THE GENTLE ART OF DISAPPEARING, Part Two
Gabriel Rosenstock, IR

DREAMS OF A CONTRARIAN OXONIAN
FRAGMENTARY NOTES [ 1 ]
A Contrarian View on Basho's Frog Haiku
Susumu Takiguchi, UK

WHChaiku NOTEBOOK
from the haiku forums at WHC

VANGUARD - 'HARD HAIKU'

HARD HAIKU, PART 1: GENERAL

Page: A

HARD HAIKU, PART 2:  60 YEARS ON themed writings on the anniversary of the ending of World War II (Atomic Day, Hiroshima and Nagasaki Days, the End-of-the-War Day)

Pages: 
B  C  D  E 
F  G

 

WHChaiku EDITORIAL TEAM:

DIRECTOR, WHC:
Susumu Takiguchi, UK

EDITOR, WHR:
Susumu Takiguchi

PROOFREADERS:
Jay Santini, US
Deborah Humphreys, US
Kate Steere, US

TECHNICAL EDITOR:
Sean Kent, US

2005 SPECIAL FEATURE IMAGE:
Moebius Strip II (Red Ants)
Woodcut (
1964) by Maurits Cornelis Escher (1898-1972),  NL

 

The World Haiku Club has poetry-specific  and general online poetry groups (mailing lists) for haiku at YahooGroups.

WHChaikuforum: by invitation, for seasoned haijin. Contact Susumu Takiguchi for information.

WHCneoclassical: by invitation, for developing haiku in English language in the tradition of classic Japanese haiku. Contact Susumu Takiguchi for information.

WHCvanguard: for developing "hard," "real" or avant-garde haiku in English language.

WHCshintaihaiku: by invitation, for developing radical haiku in English language; i.e., pushing the limits of haiku.

WHCworkshop: a poetry forum for haiku and other genres of poetry represented at WHC.

Also see WHChaikujunior, WHCbeginners, WHChaikumultimedia, and the various International Language haiku groups.

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EDITOR'S WELCOME

Reflecting the six different categories of haiku which are now all in place at WHR's haiku selections, we are having a welcome variety of works in terms of form, style and content. 'World-haiku' is still only sixty years old. This must be set against the background of about five hundred years' history of Japanese haikai literature and the poetic tradition before that which naturally flowed into it. It is, therefore, far too premature for anyone to be so boastful or complacent as to say that world-haiku has now been accomplished in any particular way. Within such particular way, people often point out that there are so many different kinds of haiku that no one knows what haiku is. The reality, however, seems the opposite. This 'particular way' has only served to narrow world-haiku, as Professor Haruo Shirane has implied, into a small and inflexible compartment. And it is no more than a compartment. From the point of view toward the rich potential for haiku in the world, one realises that, far from being accomplished, world-haiku is still under-developed. The seeming confusion caused by seemingly different kinds of haiku is not only a welcome development, but a necessary one in order for world-haiku to go through natural and healthy evolution. In this sense, we are nowhere near being confused enough, or having enough kinds of haiku. Let us see the current situation as a creative chaos, and therefore let us be much more confused and have even more kinds of haiku, at least during our lifetime.
 
Readers of World Haiku Review are invited and encouraged to be more ambitious, more innovative and more creative in composing haiku and sharing them with us.

For those readers who would like to submit their original haiku toward the Autumn issue (5-2), the kigo category will be the autumn season word: "solitude", and the themed category will be: "leaves turning colour".

Susumu Takiguchi
Editor WHChaiku, WHR
 


HAIKU selected by Susumu Takiguchi, Editor
click titles to read haiku

EDITOR'S CHOICE: SELECTION OF HAIKU FOR COMMENTARY
THE GRAND BEST (The best from all categories)
Selected for Commentary by Susumu Takiguchi, Editor

sawn oak stump—
........a line of ants journeys
.................across centuries


Nancy Stewart Smith, US
 
 

HAIKU BY CATEGORY:


General Haiku - Best

General Haiku- Zatsui

 

Themed Haiku - Best

Themed Haiku - Zatsuei *

 

Kigo Haiku - Best

Kigo Haiku - Zatsui


Neoclassical - Best

Neoclassical - Zatsui

 

Shintai Haiku - Best

Shintai Haiku - Zatsui

 

Vanguard Haiku -  Best

Vanguard Haiku - Zatsui

 

There are no Zatsuei selections for "themed" haiku as there were not enough good submissions on the theme.

SUBMISSION GUIDELINES FOR WHCHAIKU HAIKU

SUBMISSION GUIDELINES FOR WHCHAIKU ESSAYS
 


POETS IN THIS ISSUE'S CATEGORICAL SELECTIONS

 
Steve Addiss, US
Dave Bacharach, US
Nancy Barbara, US
DW Bender, US
Pris Campbell, Us
Jasminka Nadaskic Diordievic, YU
Elizabeth Fanto, US
Carlos Fleitas, UY
Lorin Ford, AU
Laryalee Fraser, CA
Gary Gach, US
Denis M. Garrison, US
Victor P. Gendrano, US
Olga Hooper (Origa), US
Elizabeth Howard, US
Betty Kaplan, US
Willow Katsumi, USA
Bill Kenney, US
Deborah P Kolodji, California, US
Carole MacRury, US
Vinodh Marella (yajushi), IN
 
Ruzica Mokos, HR
Polona Oblak, SI
Hisanori Ohgane, JP
Paul Pfleuger, Jr, TW
Zhanna P. Rader, US
Narayanan Raghunathan, IN
Carol Raisfeld, US
Terrie Leigh Relf, (semi) US
Brenda Roberts, US
Bruce Ross, US
Ann K. Schwader, US
John W. Sexton, IR
Adelaide B. Shaw, US
Andrew Shimield, UK
Nancy Stewart Smith, US
Marie Summers, US
Allen M. Terdiman, US
Florence Vilen, SE
Bette Wappner (
b'oki), US
Carmel (Lively) Westerman, US
Ethel Yanova, US

for more haiku, be sure to visit our International Language columns, TREETOPS, WHChaikujunior, WHCbeginners and WHChaikumultimedia columns, our regular and special features (see Contents Page);
for further vanguard style poetry, see WHCmarlenemountain.

HARD / VANGUARD HAIKU: Some of the contents herein contain elements which some readers may find offensive. They have been created within the framework of the intended aims of a WHC forum or project for study purposes and purely as a work of literary pursuit, being a part of arts and not as a pursuit of anything else such as political or religious act. They are presented here as such for those wider audience who may find them interesting. Therefore, those who are likely to find them offensive are free to opt them out. World Haiku Club and its magazine, the World Haiku Review, are not associated with any formal political, social, psychological, religious or philosophic organisation or party of any kind.

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